Zoom Handy Portable Digital Recorder

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World-class recording for every one

Representing the next level of professional recording performance, the H4n delivers superior audio quality and dramatically improves the user experience. Zoom’s most sophisticated handheld recorder to date will amaze, no matter the application.

Unique X/Y mic design captures perfective stereo images

The H4n’s onboard X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfective localization with no phase shifting. Frequency response remains uniform allround your recording. The result is outstanding stereo recording with natural depth and exact imaging each time.

The mics likewise adjust for variable recording patterns at either 90° or 120°. Our distinguishable design lets you rotate each mic capsule from 90° (standard) to 120° (wide-angle) stereo for the extreme skillfulness in any recording situation.

Why four channels are better than two

Everyone knows that proper miking is necessary to making a outstanding recording. The H4n is the only handheld recorder that allows you to record on four channels simultaneously by using it is onboard mics with either external mics or direct inputs. You may then use it is built-in mixer to blend the channels for utterly balanced recordings. Now your recordings may be richer than ever before.

Or, to get a great recording of a live performance, use the H4n’s onboard mics to get a room mix while simultaneously recording a stereo mix from the mixing board for a live recording that is effortlessly one of the best you’ve ever heard.

And for media and filmmakers, the H4n makes it easy to record “high definition” audio at 24-bit/48kHz with booms, handhelds or lavaliers while gathering atmospheric audio with the onboard mics. The H4n also supports Broadcast Wave Format (BWF) so your recorded files carry time stamp information. You may even set markers (cue points) for the duration of recording or playback.

For even more versatility, the H4n also features a Mid-Side stereo decoder that allows you to utilise this classic microphone setup. The H4n converts the mid and side channels into a established stereo (L/R) signal for even more versatility. It’s only found on the H4n.

It’s all in the preamp

The H4n’s new mics and four channel recording ability, in combining with our new, digitally controlled, high-quality preamplifier renders audio so precise, you’ll sound like you recorded in a world-class studio. And this new preamp means you may make recording level adjustments on the fly. Of course, an automatic level setting function is also built-in to optimize your levels as quickly as the circumstance requires.

High resolution, 24-bit/96kHz linear PCM recording

Choose up to 24-bit/96-kHz linear PCM WAV files for audio solution that surpasses DVD quality. Or, when greatest or most complete or best possible recording time with littler file sizes is desired, select a potpourri of MP3 formats from 320 kbps down to 48 kpbs to manufacture littler files suitable for web or e-mail distribution.

Secure your digital memories on SD and SDHC cards

The H4n uses compact SD or high-capacity SDHC memory cards of up to 32GB for over 15 hours of recording time at 24-bit/96kHz. Or, using MP3 format at 128 kpbs, get over 550 hours of recording time on one card.

It’s in regards to the music.

For musicians and songwriters, the H4n is also a user-friendly, multi-track studio (MTR) that records at CD quality, 16-bit/44.1kHz resolution. Plug in your guitar or bass and use the H4n’s classic amp models to inspire your ability to create and find tone perfection for the duration of your recording sessions.

The MTR mode allows simultaneous 2-track recording and 4-track playback. With this feature, you may sketch songs by overdubbing vocals and instruments with ease. Level and panning may be adjusted on an individual basis for each track on the built-in mixer, and you may even do a mixdown right on the H4n. Perfect for pre-production sessions with the band.

The H4n offers a choice of 50 studio-quality DSP effects including compressor, chorus, delay, and reverb. These onboard studio effects, along with it is tuner and metronome make the H4n very musician friendly.

The H4n’s phrase trainer capability makes learning new songs easy with an adaptable playback feature that changes the speed from 50 to 150 percent, while preserving pitch. Or use it is center cancel feature to suppress audio that is recorded with center imaging. And because the H4n lets you change pitch without altering playback speed, you may choose source material, suppress the center audio and use it as a backing track while recording a vocal or guitar track.

It’s a USB audio interface

The H4n likewise functions as a USB audio interface, letting you record directly to either a Mac or PC. Use your favored recording software or the bundled Cubase LE 4 from Steinberg, so you may commence to develop and edit your recording right out of the box.

Everyone likes surprises, but not while you’re recording

You may set your H4n to mechanically record whenever sound above a indicated level is detected. This ensures that you capture everything of importance while minimizing blank subdivisions such as when recording a group discussion or lecture. The H4n may likewise be set to without disturbance record the most recent two seconds of audio in memory. Now, you’ll never miss the beginning of anything you want to record, even if it begins suddenly.

Brains with a body too

The H4n has a new rubberized, shock immune chassis that improves durability while reducing handling noise. A large, 1.9 inch LCD screen with backlit graphic display shows all the tracking data at a glimpse and makes it easy to navigate the functions of the unit. The H4n even has a built-in reference speaker to let you check recordings without earphones.

Faster file transfer

The H4n is now a USB 2.0 Hi-Speed device, meaning that files may be transposed to your computer at the most eminent rate available. Then use recording software for editing, give rise to your own firstborn CDs, post your recordings on your myspace page or send out your recordings by e-mail… the possiblenesses are endless.

Stamina mode extends battery life to 11 hours

For situations where you require maximized, continuous recording operation you may select stamina mode that efficaciously doubles battery life, letting you record continuously for approximately 11 hours in 16-bit/44.1kHz linear PCM format.

Fully loaded

A 1 GB SD card, windscreen, mic clip adapter, AC adapter, USB cable, protective case and Cubase LE recording software are included with your H4n. The windscreen is peculiarly helpful to reduce wind noise. The mic clip adapter works utterly when attaching the unit to a popular mic stand, or you may use the built-in tripod mount with a frequent camera tripod.

Go remote with the RC4

An optional remote control (RC4) gives you access to a range of functions including recording start, play, stop, fast forward/reverse, recording level adjustment, and input source switching. It is also utile for preventing any handling noise.

The H4n is the epitome of sophistication made simple. For any individual who needs professional recording capability with extraordinary versatility, the H4n will give you the capacity to capture everything with the clarity and solution antecedently found only in the world’s finest recording studios. You’ll be astonished at how easy it is to make world-class recordings, wherever you are in the world.

Features:

• Built-in X/Y stereo mics record at either 90° or 120°
• Four channel simultaneous recording using built-in and external mics
• Digitally controlled, high-quality mic preamp for bettered audio quality
• Large 1.9-Inch LCD screen and bettered user interface for easy operation
• 24bit/96kHz Linear PCM recording for pristine recording
• MP3 recording for increased recording time
• Built-in reference speaker to check recordings
• Shock immune rubberized body for bettered chassis protection
• Broadcast Wave Format (BWF) compatible time stamp and track marker
• Records on SD/SDHC media of up to 32GB for greatest or most complete or best possible recording time
• Auto-record and pre-record feature so you never miss a moment
• Variable speed playback capability for “phrase training”
• Stamina mode enables 10 hours of neverending battery life
• Onboard mid-side matrix decoder for further and added miking possibilities
• Built-in mounting joint for tripod and mic stand mounting
• USB 2.0 port for quicker file transfer
• XLR inputs with phantom power grant recording with any mic
• Supports plug-in power type external mics
• Hi-Z Inputs for recording guitar and bass
• Studio effects onboard, including guitar and bass amp modeling
• USB audio interface capability
• Low-cut filter to reduce noise
• Normalizing and file splitting functions
• Mono mix function
• Onboard tuner and metronome
• Includes 1 GB SD card, wind screen, mic clip adapter, AC adapter, USB cable, protective case and Cubase LE recording software
• Optional remote control (RC4) available

                            90° (standard)                                               120° (wide-angle) stereo

Built-in Microphone Frequency Response H4n Handy Recorder Features at a Glance

The H4n Handy Recorder is the uttermost in professional, portable recording. A huge 1.9-inch, backlit display features recording levels, file format, time elapsed, file name, remaining battery life and recording time. Optional features such as low cut filter, compressor/limiter and phantom power are also shown when utilized. LEDs indicate Stereo, 4-Channel or MTR mode.

Transport controls include one button recording, playback and pause, forward and rewind buttons. You likewise have more outstanding control over functions such as Folder, File, Speed or Format selection with the Short Cut/Track Select keys. These keys double as track selectors with the Multi-Track Recorder mode.

On right side of the H4n, the Jog Dial and Menu Key are positioned together for easy navigation. Push the Menu Key to enter the menu and the Jog Dial to navigate through the ample features. Use the record level buttons to toggle your levels up or down, and replace your SDHC card by folding down the rubberized door.

The left side of the H4n holds a jack for the RC4 remote control, Phone/Line Output for monitoring and playback. Playback Volume, USB 2.0 interface, Power On and Hold.

Use the USB 2.0 Hi-Speed Interface to move your files to a PC or Mac for storage, editing or playback. And you may even use the H4n as a USB interface and record directly to your favored digital audio software or the supplied Cubase LE software.

On the back, you’ll find a reference speaker, external mic input for plug-in power type mics and a tripod mount. Remove the battery cover to turn on Stamina Mode. There is also mount for a carry strap. On the bottom of the H4n, you’ll find the combining XLR/Phone inputs and the AC power input is located here as well.

Our most sophisticated recorder, the H4n is likewise fantastically easy to navigate and setup for the most diverse recording situations you could ever encounter. Now you may capture each sonic detail with the kind of quality and precision commonly found in the world’s finest recording studios.

Zoom H4n is the most sophisticated portable handheld recorder with new features and bettered user experience at each level. Among it is a lot of new features, Zoom’s H4n offers superior, built-in X/Y stereo condenser mics that concede variable recording patterns at either 90° or 120°. Higher quality audio capture through it is new, digitally controlled, high-quality mic preamp, the capacity to use internal and external mics simultaneously for 4 channel recording, a huge LCD screen,more intuitive interface and onboard reference speaker will take the user’s recording experience to the next level. The H4n’s onboard X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfective localization with no phase shifting. Frequency response remains uniform all around your recording. The result is great stereo recording with natural depth and exact imaging each time. The mics also adjust for variable recording patterns at either 90° or 120°. Our distinguishable design lets you rotate each mic capsule from 90° (standard) to 120° (wide-angle) stereo for the uttermost skillfulness in any recording situation. Everyone knows that proper miking is necessary to making a outstanding recording. The H4n is the only handheld recorder that allows you to record on four channels simultaneously by using it is onboard mics with either external mics or direct inputs. You may then use it is built-in mixer to blend the channels for perfectly balanced recordings. Now your recordings may be richer than ever before. Or, to get a outstanding recording of a live performance, use the H4n’s onboard mics to get a room mix while simultaneously recording a stereo mix from the mixing board for a live recording that is effortlessly one of the best you’ve ever heard.

Product Details

• Amazon Sales Rank: #43 in Musical Instruments
• Size: small
• Color: black
• Brand: Zoom
• Model: ZOO H4N
• Released on: 2009-03-02
• Number of items: 1
• Dimensions: 1.38″ h x 2.76″ w x 6.15″ l, .62 pounds

Features

• Built-in X/Y stereo mics record at either 90° or 120°
• Four channel simultaneous recording using built-in and external mics
• Digitally controlled, high-quality mic preamp for bettered audio quality
• Large 1.9-Inch LCD screen and bettered user interface for easy operation
• 24bit/96kHz Linear PCM recording for pristine recording

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Reviews

407 of 413 people found the following review helpful.
Kodak Zi8 + Zoom H4n Audio Test + Review
By Oresti Tsonopoulos
Watch Video Here: http://www.amazon.com/review/R3FRRPZ182IDSH After having done a quick video test for the Kodak Zi8, I decided to do something which would focus more on its audio recording capabilities. I also wanted to test the Zoom H4n, a portable flash recorded I recently purchased… so, here I am, killing two birds with one stone.

I setup the Kodak Zi8 about 5 feet from the sound source, which is an upright piano… that’s me noodling on it. The Zi8 is mounted on a tripod.

About 15 feet away from the piano, I’ve setup the Zoom H4n recorder. This unit has an XY stereo microphone built into it. It also has the ability to record two inputs, in the form of XLR or 1/4-inch. So, we’ll be hearing the built in XY microphone on the unit as well as a pair of AKG 414s which I positioned above the piano, pointing into the open lid.

“Kodak Zi8 Internal Microphone”
Here we hear the internal microphone on the Zi8. Mono, a bit noisy and perhaps a little too close to the piano to capture a clean sound. In any case, this does the trick for capturing an idea, but definitely doesn’t cut it if you’re looking for high-quality audio.

“Zoom H4n XY Microphone”
Here the stereo image opens up suddenly. This XY microphone which is built into the unit is capturing a very natural, coincident stereo sound. It’s a very reflective room, so you hear that, as the microphone is about 15 feet from the sound source.

“Zoom H4n Pair AKG 414s”
Here we’re hearing the pair of AKG 414 microphones pointing into the piano. Because the microphones are very close to the sound source, there is significantly less “room” sound. This would be more suitable for a studio recording, while the XY sound would be more appropriate in perhaps a classical or field recording.

“Zoom H4n Mix of XY + 414s”
Here we have the best of both worlds. We have a blend of the direct signal from the 414s AND some of the room sound from the XY microphone. I believe this is the best overall option in most scenarios.

Finally we return to the Zi8 internal microphone to hear the major difference when using external audio equipment. At under $200, I believe the Zi8 does a great job capturing the visual and at under $300, the Zoom H4n does a remarkable job with the audio.

[...]

252 of 257 people found the following review helpful.
One of the best field recorders out there
By Aaron Morris
Just like the customer above me, I have a fairly early model (serial 2211). I don’t imagine them having any revisions or anything, because this unit is really solid. Let me start by saying that this device should not be considered a Mic in its own right. Sure, it has two condenser microphones stuck on top to record in stereo, but I wouldn’t use these mics in any studio unless I had nothing better. This unit is for those people who want to record in the field, and be able to capture 4 tracks of audio in a handheld device.

First, the build quality. Obviously Zoom took a lot of criticism to heart from their first H2 and H4 models. The H4n sports a “rubberized” hardshell design that’s easy to grip, and seems to stand up well to surface scratches. (Mind you, the rubber texture can attract greasy fingerprints which can get annoying if you’re a gadget freak like me). The top of the unit where the mics are is metal. There is some plastic on the unit, but definitely better designed than the previous two recorders from zoom. The buttons are easy to press, and the screen is large, allowing you to see everything you need to very easily.

The poster above me wondered why there was no metal cage protecting the microphones (like the previous H4 had). The answer to this is the switchable pattern on the microphones. Each mic can be twisted and swiveled to change the directionality that the mic pics up. In its native position the mics pic up at a 90 degree angle, giving a pretty good stereo image. But when you twist them, the mics are then a 120 degree angle. This is good for picking up sources that are farther away, or even ambient sounds for a wider stereo image. If there was a metal cage over the mics, you couldn’t reach your fingers in to twist them. Overall, I would rather have a switchable pickup pattern, than a protective cage. Just don’t drop a $350 recorder.

Second, the packaging. Inside the box, the unit came with a hardshell plastic carrying case, usb cable, foam windscreen, ac adapter, mic stand adapter, manuals and cubase le software, and a 1gb memory card. This is leaps and bounds above the competition. Most other recorders won’t come with any of this. Other companies will even make you buy your own ac adapter and memory card. And Zoom went even further and added a plastic carrying case (for those of you worried about dropping it). They were definitely thinking about the customers on this one.

Third, and most importantly, the sound quality. This is why you buy the unit right? The sound quality has to be good or nothing else matters. Overall I was surprisingly impressed with the sound quality. I am an audio engineering student, going to school for sound reproduction, and sound reinforcement. Needless to say, I know my way around a microphone. I was expecting this unit to sound average, just like a pocket (or handheld) recorder usually sounds. But in fact, the H4n sounds pretty decent. The high end is nice and defined, the microphones built into the unit sound really clear. The one thing I can say about the sound is that it is accurate. I have recorded a few tests using my voice, a guitar, and some other misc. elements. I did notice that the microphones gave off a little bit of condenser hiss when the input gain was turned up. This could probably be solved or lessened if you were to get closer to the object and turn down the recording level. But still, it worries me to have a little bit of noise floor coming from the mics, especially if I were to use the recordings for post production video work.

The other thing I noticed was a lack of bass response. This could have been because I was a foot or two away from the microphones, but the bass on the microphones was a little lacking. My voice sounded a little thin. My guitar sounded fine, but guitars don’t really have a lot of low end in the first place. Also watch out for handling noise. If you think that you’re going to carry the unit around and do interviews while holding it, forget it. All handheld recorders suffer from this (I’ve read), but its true for this unit as well. Anytime you hold the H4n and move it around, you can hear low end rumbling and handling noise. Just use a tripod, or the included hand/mic clip adapter and you should be fine. (Also get a better windscreen if you’re going to use it outside, the one included doesn’t do anything outdoors for wind noise. You should buy a fuzzy or “hairy” windscreen if you want to use it outside)

Overall I think this recorder is the best on the market right now. Although there are a few units that have better sounding built in microphones (sony), it’s only marginally better. Plus the H4 is cheaper (by about $150) and has more build in features/functionality. Like the fact that the H4n can record with two built in mics, and two XLR mics simultaneously (4 tracks at once). This means that you can record with the built in mics, but also use your own microphones if you want to add variety, redundancy, etc. You can also just use the unit for a preamp if you only want to use your own microphones to record in the field. I won’t name off all of the features, but some included features weren’t even necessary and Zoom was nice enough to add them in anyway (guitar tuner, audio interface, stamina mode, MTR mode, 96k recording, etc).

Needless to say, if you need a recorder for any reason, even if it’s just for a school project, or for recreation, don’t buy the cheapest recorder you can find. Spend a little extra money and get the H4n, it’s seriously worth the extra cash for something that will last you much longer. It’s simply the best value for a handheld recorder on the market right now.

136 of 137 people found the following review helpful.
Impressive with minor flaws
By J. Doubek
In looking for a portable handheld recorder for scratch tracks and samples, I weighed the benefits of a few of the handhelds available today and settled on the H4n. The other recorders on my short list were the Edirol R-09 and Sony PCM-D50, and also the H4. So far the H4n hasn’t disappointed.

I settled on the Zoom H4n for a couple of reasons:

1) 1/4″ and XLR inputs with phantom power – Very handy for throwing a mic on a kick and snare, and the H4n will record those plus the internal condensor simultaneously, which is perfect to get the rest of the drum kit for some quick loop scratch tracks.

2) More geeked out features than the others – They are not needed but still fun to have. The H4n is like the Leatherman of handheld pocket recorders with plenty of built in effects (which sound really good btw), built in 4 track recorder mode, tuners and metronome, playback speed control, MP3 encoder, acts as USB audio interface (both input and output), built in monitor speaker, and more. I also like the little things I’m still discovering, like when I put Ni-MH batteries in and then plugin in the adapter it recharges the batteries.

3) Build – I like the build quality compared to the H4 – Not as nice as the Sony but the thing does feel solid and substantial in your hand. The built in mics are a little exposed without a wire cage on the top like others have, it would probably not be a good thing to drop this unit and have the mics hit first.

4) Cost – This recorder was midrange even with it being brand new. It’s less than the Sony and more than the H4 or R-09. I suspect the price will come down a bit when it’s been out for a couple months down to where the R-09 is now. For what it has built in it’s amazing to be it’s as inexpensive as it is.

5) Sound quality – The H4n sounds clean. I believe turning on the built in compressor, or boosting a really weak input signal with a lot of input gain could cause hiss, but for the most part I don’t notice any. Usually the noise floor is so low on what I’ve recorded that it is not audible. Some different mics and setups might have different results, time will tell.

6) Menu and button layout – I really like the way they set this unit up. Very easy to navigate and record with, and does what I want quickly with only a few caveats mentioned below.

7) SD card format – SD cards are cheap and readily available. I don’t care so much for the memory sticks the Sony uses.

Now the downsides, maybe all these handheld recorders suffer from similar issues but I’m going to give my first impressions never having used one before and the H4n is the best I have to compare with:

1) Menu system – While easy to navigate, still feels like it could use refining through a firmware update. It feels like it wasn’t finished when the product shipped. The fonts look a little like a 5 year old put them together, Zoom could have done better with the screen they put in the H4n. A lot of products like this are rushed to market to meet revenue goals, so hopefully they will get time to take another look at the firmware and make UI improvements. Also the firmware is trying to be a little too fancy with the menus. There is a little expanding box effect that happens when you open a menu, but it ends up just looking like screen artifacts when changing the menus. It would have been better to immediately jump to the menu, it would be faster and would look better.

2) File naming (another UI complaint) – I really wish the firmware gave you the ability to delete a character in a file name. The filename can be edited, but characters can only be added or changed, not deleted. If you use divide alot, the name gets larger and larger but cannot be made smaller. This is a bit annoying when combined with the divide implementation….

3) No divide while recording – there is no divide while recording that I could find. It seems like it would have been very easy to make one of the unused buttons act like a divide when recording. Instead you can set a “mark” (non editabled btw, after one is set it is permament in that wav file). The marks let you easily jump to that point and divide it later, but when it divides the file you end up with an ‘A’ or a ‘B’ tacked on to the filename. Now, imagine recording an entire gig or practice with only marks to use to delimit the songs, and then you have to divide them later with the naming scheme and lack of delete character function I mentioned above. What you end up getting is files named something like ‘STE-001A.wav’, STE-001B.wav’, ‘STE-001BBBBA.wav’, and eventualy ‘STE-001BBBBBBBBBBBBBBBBBA.wav’ etc and there’s not a lot you can do on the device to fix it since the best you can do is replace the extra characters with spaces so that you end up with a file named something like ‘song blah .wav’ (you can plug it in as a USB interface later and fix all the filenames in the folders, but not a lot you can do on site except stop and restart recordings versus using “marks”).

4) Documentation – I’m not sure what Zoom was thinking here. The documentation looks like it was passed through a translation program without any proof reading before shipping. It is filled with sentences such as “On stereo mode can be made 19 different setting using. WAV & MP3. If you want to change, operate before recording”. I get the general intent most of the time but it hurts. Luckily the unit is easy enough to use that you don’t have to rely on the documentation too much.

As I see it, the complaints I have are mainly around details of the UI implementation and documentation and relatively minor. All around the unit is great and a lot of fun to use. The sound quality is top notch, and the capabilities of the device are astounding. I would have given it 5 stars if the few UI details had been better thought out and someone had read the documenation. For a great all around handheld recorder with excellent sound quality, lots of features, and a reasonable price, the Zoom unit is going to be very hard to beat.

See all 162 customer reviews…